DeLorean Double Date
Forever Thursday
Dojo Kinfe Toss
His Name Was Murphy
When Your Ex Becomes Your Cousin's Fiancée
The Layers of the Dojo: Why We Punch
The transmission of the dojo is layered.
Some things will make sense rather quickly.
Others take some insights.
A few can only be understood through the weight of years.
The trust is that every movement, every exercise, every
correction is understood that it has the gravity of eight hundred years behind
it.
Every class at the dojo begins with a series of fundamental
movement, most of the time lead by a senior student, other times be the teacher
himself.
Tsuki gata- punching
was one of them.
The class would line up and strike through a series of
punching focus mitts being held by a seniors student. Walk up, hit the mitt and
move past, circle back around.
I always enjoyed punching, the movement, the feedback, the
directness of it.
But at some point I began to become a little critical of it.
Class was a special place, a way to step out of space and time
for a few hours. A chance to put aside the responsibilities of the day, the
obligations, the things to do, and practice movement in a sacred space.
The time was precious and with so much to learn and receive,
was the time best spent spending so much time punching?
I mean, couldn’t ‘t we just work on that at home, or outside
of class with the senior student meetups?
The first point explained to me early on was that to unlock
the art one had to be able to deliver a good punch.
Not the best, or most proficient, but something straight, on
target, and with the motivation that the person on the receiving end didn’t
want to get hit with it.
With that movement-motivation they would be forced to do the
technique, whatever technique was being worked on. Likewise, by giving a good
attack a good counter was responded and one would learn correctly what the technique
felt like by having it correctly done to them.
All this predicated on a good punch.
That made sense, but was so much punching still needed in
class?
Some time later I understood tsuki gata from a new layer, the layer of shoshin, the beginner’s mind.
That there was something about being forced to approach the
same basics, in this case punching, over and over again as if it was the first
time one was seeing it and practicing it each week. That attention to detail, refinement,
and spiritual understanding underpinned all the lessons, and tsuki gata was the most-straightforward
way to taste it.
The final layer was explained to me when I started leading
the punching practice at the start of class, as the teacher gave me a new layer
of understanding.
He explained that while he loved all the students in the
dojo, not everybody was here for the same reason, and that was ok.
For some training was more casual, an interest for sure, but
something to do during the week, which on hearing this was an alien concept.
Casual?
Yes.
And for those students, especially, it was important that
they were able to aim a punch and hit solid, as that might be the only lesson
they are able to effectively receive from the dojo, and in that if they leave
the dojo after a few months, or a year, they will at least have that lesson of
hitting hard.
That lesson might be very important for them one day, long after they have left and forgotten about the dojo.
The Gravity of a Single Second: A Near-Death Reflection on Ambition and Presence
This Is How Long It Takes To Get A Black Belt
The Ones Beyond Jedi and Sith
When Loyalty Costs You the Chance You Didn’t Know You Had
Time.
Enough of it had passed in that the questions asked no longer mattered.
Whatever could have potentially happened had long cooled, and the trials of life had piled on.
Now there was only a shared history that could never be changed.
Did I remember that moment at the party, when everybody left the room and it was just the two of us sitting there?
The silence in the room broken by her first as we talked about nothing at all.
I remember that the conversation, our proximity, and what she was really wondering about.
What she was really asking was why didn’t I ask her out.
At that moment?
Out of loyalty.
She had just broken up with my best friend.
The fact that she dated him right there made her off limits.
But what she didn’t realize at the time, and what took me a few years later looking back was that such loyalty was misplaced.
My friend never had my best interest at heart, or for that matter any of my interests.
I was convenient to him and helpful to have around as I never backed down from anything, both a character strength and flaw.
He knew I would always back him no matter what, and that was useful.
At the time I missed the entire point of our conversation and that our friends in the room didn’t leave because they had somewhere else to be.
They left knowingly so I could ask you.
I missed all of that, otherwise perhaps I would have followed you to Florida.
The Anatomy of a Second
The Quietest Player at the Table
When the Hill Asked for Silence
Boots In The Dojo
Martial Arts, Misunderstandings, and Quiet Intimacy — A Night That Changed Everything
It was that hour of the night where one tended to ask the questions they were carrying with them from the evening.
We sat on the bench across from the planetarium watching the rainbow colors of the great sphere slowly shift through the spectrum of colors.
Beth had been unusually cold with me since we left the gathering at the museum, and only now was I replaying the sequence of the night in my mind.
Normally if she was upset with me she was very direct about it.
This time it was for me to figure it out.
Ten minutes of silence and the only thing I could point to was meeting a separate friend at the museum.
I introduced her correctly, using her mundane name, and the three of us had a nice conversation about the exhibit.
She finally broke the ice and asked why I didn't invite her to the demonstration.
What demonstration?
Apparently the one my friend referenced when he reminded me before saying goodnight.
That must have been the moment.
He reminded me about the upcoming demonstration this weekend for the cherry blossom festival, to make sure I was there extra early to assist with setting up.
As one of the bigger guys in the dojo, most of the heavy-lifting tasks fell to me.
Was she serious?
I told her I didn't invite her because I know she doesn't like the idea of people hitting each other, let alone watching it.
She was surprised.
Yes, I did remember that part from our late night conversation at D.'s homecoming party.
I should have invited her anyway.
But that would have created an obligation on her part, and I never wanted her to feel obligated with anything for me, especially given her responsibility in the group and that dynamic.
Was D. invited?
Yes, but he likes swords.
Beth was there.
D. was not.
When we walked out on stage and my eyes met hers, I could register the surprise.
This was the first time she saw me in hakama; I imagine it was similar to the surprise I had when I saw her in her regalia for the first time.
Once my name was called out and the enbu began, it was a different world.
My world.
After the demonstration, once I had cleaned up and was back in street clothes, I found Beth and D. waiting for me by the stage.
D. was the first to greet me, complimenting me on the demo and how great it all was.
I could tell he saw none of it.
Dinner at the pub was uneventful — just three friends talking and hanging out — D. eventually excusing himself as he had to get back to a group project he was working on.
I didn't ask.
That time of evening again, on the bench, when Beth asked me about the demonstration.
Once she got past the hitting part, she was genuinely curious about the patterns she saw, and how one memorized them, drawing a parallel from her own world.
There were no patterns; each interaction with a partner is different every time, even with the same partner.
Movement that happens once and never again.
How does one learn that?
I told her that after all these years I'm still not quite sure — it just comes from being around your teacher and doing what he does.
Along the way, something just happens.
I wanted to tell her that it was nice she came to the demonstration.
Return to the Hall: Reflection on Ritual and Belonging
It was the times like this when we were all lined up and ready to go that I was reminded of the absurdity of all this.
I’d catch my reflection off something and realized how ridiculous
I looked.
But then I would remind myself to them, my world looked
equally ridiculous wearing hakama, and we also had our own cast of characters.
As we were getting ready Lucen has asked if I wanted to read
from a script, that it would be OK for a first time.
I told him the script he sent me was fine, I had looked it
over and committed it to memory, most of it being the same from what I remember,
the few different embellishments had Lucen’s personality all over it.
I appreciated his extension of helping me to fit in.
Stepping out onto the floor, a feeling of familiarity and nostalgia.
I could have easily fooled myself into believing this was
another equally familiar place.
Yet, there were subtle differences in dimensions and finish.
The biggest difference was that this was built as a
permanent structure compared to something that required the change of location
and venue from time to time.
That was the biggest difference in the feeling.
I had mixed emotions, in that what would they have thought?
Would the approve, or would they have been even more disappointed
at me arriving right back here.
Why then leave in the first place?
I didn’t have a internal answer for this, and things were
getting started, so I let it just float away.
It was fun to watch Lucen, he was a king holding court at
the far end of the Hall.
He wasn’t just playing the part, he was the part, and I wondered
who else in the Hall beyond his partner could see that.
Lucen was what he had always hoped to be.
Somehow, I had stepped into a new home, and the others didn’t
quite know what to make of me yet.
Like a cousin from a distant family that sort of looks like
your family, with a bit of skepticism in meeting for the first time.
What caught my attention was Lucen’s partner, standing in
the middle of the Hall, myself in front of her and Lucen behind her.
It wasn’t when she spoke, the gravity around her was when
she didn’t speak, when she was just standing there.
Instinct told me she was the real focal point behind the Hall.
Her eyes never left me.
At one point I found myself looking at my feet, and I wasn’t
sure why.
Maybe part of a cultivated habit of always checking and maintain
correct posture and form?
Was I being evaluated?
Another moment when it all looked ridiculous.
Between Silence and Symbols
D. was working on something.
Everybody knew but me.
The other members of the group knew.
Beth knew.
The Tailor knew.
Even the IT guy knew.
I first suspected when I saw him in the upper stacks of the
library.
The place where one went to not only study alone, but also
the place one went where nobody could approach you of sneak up on you without
knowing.
I wanted to know, but I respected D. and gave him his space,
however I did notice the books he was carrying.
Not the titles or names, that was to far to see, but the
binding of the books, the size, texture and colors.
The weight of the books.
I filed that away and forgot about it.
The tailor handled the theatrical props and regalia for the
group and this is where the question first resurfaced.
I was picking up some new clothes and he also handed me something
for D.
It was on a hanger, wrapped in white protective plastic, clothing,
but concealed.
The Tailor knew D. and I were friends, that I saw him almost
every other day, and D. wanted it as soon as it was ready.
Sure why not.
Later in the evening when I was dropping it off at D.’s apartment
that is when I remembered the books.
I only remembered them because of how D. received the clothing
I dropped off. He didn’t take it casually, but respectfully hung it in the
closet, a specific closet without saying a word.
I didn’t ask, and he didn’t elaborate further.
He was getting ready to go out, did I want to grab something
to eat with him?
I didn’t overset, I just looked from where I could in the hallway
to see if I could recognize any of those books.
D. loved books.
It was one of those Friday night gatherings, a fusion of
meet and greet and what passed for one of the weekly meetings, this time in an
art gallery not far from the planetarium, I found myself having a conversation
with the IT guy.
I called him the IT guy.
Everybody called him the IT guy.
In the group you had your mundane name, your group identity,
and the nickname everybody called you.
Usually you didn’t know the nickname everybody else called
you, at some point around the group something stuck and that was that.
I didn’t know my nickname, I gave up trying to find out,
still secretly hoping it was something inspiring.
IT guy was talking about some books and was curious about my
thoughts on them, as I tended to see things differently in the group. IT guy
always found it strange that I spent the last decade of my life learning how
not to think, only to join a group that not only prized but demanded thinking.
I told him I hadn’t read those books yet and he was
surprised.
D. had them now, and once he was done with them I should
read them next.
Now I had a set of names, which made guessing what was
wrapped up under that hanger I picked up for D. more specific.
Why wouldn’t he tell me?
After the meeting I offered to walk Beth home since we were leaving
at the same time and heading in the same direction which seemed to happen more
and more after these meetings when I wasn’t leaving with D.
She was enthusiastic about the gallery, chatty about the pictures,
most of it I didn’t understand but was happy to listen.
I could ask her.
Not in her capacity as an office in the group, but as a
friend of D.
Did I like the idea of asking her as a way to spy on my
friend?
We playfully argued over who would walk who to their door, and
I won out, which gave me a few more minutes to consider.
She knew.
She was waiting me to ask about something.
She would have told me if I asked.
Why Studying the Japanese Sword Still Matters in Modern Martial Arts
Without question martial arts change and adapt over time as both internal and external forces from society and technology guide them.
Staying up-to-date and aware is the goal of every martial
artist.
Those that navigate the martial arts from a real-world perspective
will often focus on only the most practical of applications, the here and now
of what works for today.
Which makes sense as it is a total number game.
Even optimized, and with distractions eliminated there are only
so many hours in the day to train.
Don’t waste any time on useless stuff.
So, what about the Japanese sword?
If your path takes you down the Japanese arts, do you need
to study the sword (katana)?
Why do so many Japanese arts continue the use of the sword
in modern teachings.
I’m not talking about trying to update old stuff to modem interpretations,
nor HEMA inspired guesses, but rather the Japanese sword transmitted as it is.
I would put forth the possibility that yes, in the Japanese
arts one needs to study the sword.
Why?
The sword is inseparable from the culture of the Japanese
warrior arts, the mindset, internal tech, and higher-level lessons are all
predicated on knowing the sword.
To understand the higher levels, one needs to be able to receive
that transmission through the sword.
From there, once the movement is down, do with it what you
will.
The Invisible World Around the Dojo
That ecosystem was my own little world and I was happy.
The axis was the dojo itself, the Japanese restaurant, coffee
house, movie theater, pizza shop, and park were all spokes emanating from that
axis.
Extensions of the teaching and feelings from the dojo.
My teacher lived somewhere in the immediate area, the exact
place unknown to us.
Many tried to figure out where he lived and failed, but it
had to be close by as he was always around.
If you were in town at a store, he would just show up.
Stop in and grab a coffee he would be there.
Dive through the village and he would be walking around.
Didn’t matter the time of day.
These informal run-ins would always turn into a chat and
hangout session about budo and different ways of movement.
Over time they became more and more priceless.
Many of us would go running in the park off-class hours to
build up our endurance and he would somehow know we were there.
My theory on where he lived was in the tallest apartment
building in town, once specific one where you could see the main street, the
dojo, and the other key places from the top floors.
There was this one time when I was limbering up for a run
and looking over he is already running up the trail waving me down.
Running was a transmission of movement as he would share stories
about the old days of training, about the master, or something about the sword,
and the only way you could her it was to keep up.
You could ask questions, but if you were smart you used the
time to listen.
It was on this run that I wondered about the absurdity of
what all of us were doing.
All the time, effort, and energy spent both inside and outside
the dojo, that price paid, the time sunk in any other endeavor would have had
us at elite status years ago.
I asked him why we do this thing of ours.
Budo.
I had to catch myself from not crashing into him as he
stopped.
We do it just because.